Video Art Movies

Matthias Müller’s films are always about both the eternal and the volatile qualities of cinema. They exaggerate the unreality and clinical...

A woman strolls through nature, embraces trees, and enjoys stunning views. She dances around a large tree, then suddenly falls into darkness, wakes...

Short experimental video art by Barbara Sykes.

A crowd moving in one direction.People who flow in a moment. A scene where the difference with other people disappears and looks uniform. There are...

A film as part of the Spellbound installation at the Hayward Gallery in 1996 by Peter Greenaway.

Moving through its five parts, the work describes a cycle of birth through to death, depicting both an eternal, universal Mary, and an earthly Mary...

A tutorial about guided meditation. Throughout the project, the spectator is invited to follow a series of steps that, if done well, will take them...

SHIFTING VISIONS is a video essay that revolves around the transition between the different stages of human consciousness. From the most intense...

NUVEM is a screendance piece created using the point cloud technique, exploring the boundaries of form and presence within digital space. Dispersed...

Abstract video art created in 1981. Music by Vibeke Sorensen and Walter Michael. Abstract video art created in 1981 at EUE Video in NYC.

CGI collage short film originally premiered as part of the 'Extinction Renaissance' exhibition at the Loyal Gallery in Stockholm.

“From This” is a permanent cycle. This video intended to be timeless in its original action plan, to be played constantly in a particular...

Walter Ungerer's A Warm Day Comes After A Cold Winter is among a series of experimental films the filmmaker created in the 90s that utilize computer...

Rise and Fall is a two-channel video installation by artist Fiona Tan, exploring the relationship between memory, time and identity. Two women from...

Manipulating a variety of sources, Vasulka uses creative imaging tools to situate historical images against Southwestern landscapes of incredible...

In Untitled (Pink Dot), Murata transforms footage from the Sylvester Stallone film First Blood (1982) into a morass of seething electronic...

"Plasforms" is above all a visual composition, the relevance of the camera's absence, continuing in its time the plastic tradition of seeing. It is...

Poet and artist Vito Acconci points his finger towards the camera and his own reflection in an offscreen video monitor.

This ironic and satirical video poem focuses on the mind of a young artist struggling with the desensitisation, exhaustion and stress of information...

Video art by Vibeke Sorensen made at Calarts in 1989